Gus, Ted and Anthie
Some kids just stick in your mind - sometimes for decades: some because they were needy, some because they were unique, or out of the ordinary, or off the beaten path, others because they were a Pita (Pain In The A**), some because they have a great story tied in with them, and still many, many others because they were great kids. Gus, Ted and Anthie fall into the last two categories. They were siblings whom I taught over a span of 10 years or so. Gus, the oldest, used to bring me home-made baklava for lunch (that, in it's own right is memorable) and was a great kid. Anthie was quick-witted and personable and a great kid. Ted was into every and all things - in a good sense - and also was a great kid. Their story involves my bass guitar.
When I began teaching instrumental music at A.V. Graham in 1990, bass guitar was not offered as an instrument. I personally owned an old Yamaha bass that I had purchased, used, years earlier. It wasn't pretty but it was functional. I bought an old beat up amp and introduced bass guitar to my classes. Today I have a stable of 5 basses and 4 amps for my program. (See picture. Note the ugly grey amp at the far left - that's the one and is still in use today)
Early one morning, many years ago, Ted came into my room to return our one-and-only bass from having it home for the weekend. "Uh, Mr. Farrer, I have something to show you about the bass."
Now, things do sometimes come loose or even break during normal wear and tear, especially when there are up to 10 different kids using the instruments. I teach proper playing techniques and safety, but occasionally accidents do happen. Students are responsible for paying for repairs that they have caused through their actions, whether intentional or accidental. For me, one of the worst things a kid can do is try to sneak a damaged instrument back on the shelf.
Ted opened up the case. There was my bass with the neck snapped in two! When I asked Ted how this had happened, he told me the bass had fallen. No kidding. He continued to explain that his older brother, Gus, had been playing it. I was silent and let him sweat a bit. "Gus was reaching out to take something from me and the strap let go." Ah ha! Rule #6, subsection (B), article (3c) - 'Always have one hand on your instrument at all times because the strap does sometimes come off.'
"Leave it with me," I told him. "I'll see what I can do." A few days' work with epoxy, c-claps, and sandpaper and it was repaired - not very pretty, but functional once again. This instrument has remained a member of my classroom bass arsenal until two years ago. Recently, I had one of my school basses in for repair so I took this old baby out of retirement and she did a stint back in the classroom. (In the pictures, besides the repaired broken neck, also note the crack remaining in the headstock, and the screws and washers and the nylon tie helping to keep it playable.)
So, if students know they should never let siblings play their instruments and that they are responsible for all repairs, why did I not send it away to be professionally done? Well, I wasn't concerned that Ted had let his brother play the bass because I knew that Gus, even though he was then in high school, was familiar with proper instrument procedures. I was also fairly confident that neither of them would have been mistreating my property. And, more importantly, Ted came to me and owned the damage. So, I cut him a break. Why? Well, as I stated earlier... they were great kids.